Cracks Into Other Worlds     I can only feel my body when I’m looking at the fading leaves and the bending branches of the trees.   For several weeks at the end of 2022 while at an artist residency I made long exposure pinhole images in the parks

Cracks Into Other Worlds

I can only feel my body when I’m looking at the fading leaves and the bending branches of the trees.

For several weeks at the end of 2022 while at an artist residency I made long exposure pinhole images in the parks of Mexico City. Instead of capturing a fraction of a second as a traditional photograph would, I captured many days all in one image which erases the human presence. In a city with a population of 21 million, the images became a fantasy world without people. When I returned to Seattle I continued making images in parks around where I lived.

It is my hope that these images serve as a place to think about our tenuous relationship with nature.

If we don’t change the way we relate to nature, will we be banished from it?

2023_june4-aug19 beacon.jpg
Pinhole_Parque Hundido_12-20-22.jpg
2022_5-17-2021-2022 pinhole seward park black.jpg
2022_9_Snoqualmie Trail cookie tin.jpg
Pinhole_Casa Lu_12-20-22_1.jpeg
2021_04_beacon hill april 2021 black.jpg
2023_Kubota Gardens feb-Sept.jpg
2020_02_Beacon Hill Feb-March 2020 black copy.jpg
pinhole_parque hundido_12-3-22.jpeg
2022_9-19 BH ilford matte.jpg
2021_05_Beacon Hill Forest 5-29-21 black.jpg
2021_05_snoqualmie pinhole jan 14 -may21 black.jpg
2022_03_Beacon Hill East 5-2021 to 3-13-2022 black.jpg
Pinhole_5_parque hundido_11-22-22.jpg
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
   Cracks Into Other Worlds     I can only feel my body when I’m looking at the fading leaves and the bending branches of the trees.   For several weeks at the end of 2022 while at an artist residency I made long exposure pinhole images in the parks
2023_june4-aug19 beacon.jpg
Pinhole_Parque Hundido_12-20-22.jpg
2022_5-17-2021-2022 pinhole seward park black.jpg
2022_9_Snoqualmie Trail cookie tin.jpg
Pinhole_Casa Lu_12-20-22_1.jpeg
2021_04_beacon hill april 2021 black.jpg
2023_Kubota Gardens feb-Sept.jpg
2020_02_Beacon Hill Feb-March 2020 black copy.jpg
pinhole_parque hundido_12-3-22.jpeg
2022_9-19 BH ilford matte.jpg
2021_05_Beacon Hill Forest 5-29-21 black.jpg
2021_05_snoqualmie pinhole jan 14 -may21 black.jpg
2022_03_Beacon Hill East 5-2021 to 3-13-2022 black.jpg
Pinhole_5_parque hundido_11-22-22.jpg
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City

Cracks Into Other Worlds

I can only feel my body when I’m looking at the fading leaves and the bending branches of the trees.

For several weeks at the end of 2022 while at an artist residency I made long exposure pinhole images in the parks of Mexico City. Instead of capturing a fraction of a second as a traditional photograph would, I captured many days all in one image which erases the human presence. In a city with a population of 21 million, the images became a fantasy world without people. When I returned to Seattle I continued making images in parks around where I lived.

It is my hope that these images serve as a place to think about our tenuous relationship with nature.

If we don’t change the way we relate to nature, will we be banished from it?

Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
Exhibition view at Casa Lü, Mexico City
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